First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the se...(展开全部)

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the se...(展开全部)

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the se...(展开全部)

Turtle Geometry presents an innovative program of mathematical discovery that demonstrates how the effective use of personal computers can profoundly change the nature of a student's contact with mathematics. Using this book and a few simple computer programs, students can explore the properties of space by following an imaginary turtle across the screen.The concept of turtle g...(展开全部)

夏志清（1921——2013），1947年赴美，1951年在耶鲁大学取得博士学位。先后执教美国密歇根、纽约州立大学、匹茨堡大学等校。1961年在美国用英文出版了使他一举成名的《中国现代小说史》。1961年任教哥伦比亚大学东方语言文化系，1969年为该校中文教授，1991年荣休后为该校中文名誉教授。

夏志清（1921——2013），1947年赴美，1951年在耶鲁大学取得博士学位。先后执教美国密歇根、纽约州立大学、匹茨堡大学等校。1961年在美国用英文出版了使他一举成名的《中国现代小说史》。1961年任教哥伦比亚大学东方语言文化系，1969年为该校中文教授，1991年荣休后为该校中文名誉教授。

威廉·巴特勒·叶芝(William Butler Yeats，1865-1939)，爱尔兰诗人、剧作家。生于都柏林。父亲是画家。曾在都柏林市立美术学校学习，并开始写诗。1889年，叶芝成为爱尔兰民族自治运动的骨干。1891年与诗友组织“诗人俱乐部”和“爱尔兰文学会”，主张诗歌要有梦境的朦胧、含蓄和超俗。早期创作具有唯美主义倾向，著名作品有诗剧《心愿之乡》和诗《被拐逃的孩子》、《十字路口》、《茵尼斯弗利岛》等。 1896年叶芝结识了剧作家格雷戈里夫人，此后的创作都得力于她的支持。叶芝与她一起收集爱尔兰民间文学，又一同创建了爱尔兰文学剧院，即后来的阿贝剧院，创作了一批关于爱尔兰历史和农民生活的戏剧。这时的叶芝诗风明朗，作品充满民族热情，重要作品有诗剧《胡里痕的凯瑟琳》、《黛尔丽德》等，另有诗集《苇问风》、《在七座树林中》、《绿盔》、《责任》等，并陆续出版...(展开全部)